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Wabi-Sabi: for Artists, Designers, Poets and Philosophers by Leonard Koren

Wabi-sabi is beauty of things imperfect, impermanent, and incomplete.
It is a beauty of things modest and humble.
It is a beauty of things unconventional.

The closest english word to wabi-sabi is "rustic" (as if simple, artless, unsophisticated, with surfaces rough or irregular).

Those who know don't say, those who say don't know.
Zen doctrine
Sabi

originally meant "chill", "lean", or "withered"

material objects, art and literature. the outward, the objective. an aesthetic ideal. temporal events.

Wabi

meant meant the misery of living alone in nature, away from society, and suggested a discouraged, dispirited, cheerless emotional state.

way of life. the inward, the subjective. a philosophical construct. spatial events.

Comparison between wabi-sabi and modernism, most outstanding points.
Wabi-Sabi Modernism
Warm Cool
Private domain Public domain
Intuitive Logical
Soft, a bowl Sharp, a box
One of a kind Mass-produced
Romanticize nature Romanticize technology
Present Future
Dark and dim Light and bright
Everything has a season Everlasting
Wabi-sabi universe
  1. Metaphysical basis
    Things are either devolving toward, or evolving from, nothingness.
    • "Wabi-sabi, in its purest, most idealized form, is precisely about these delicate traces [of life], this faint evidence, at the borders of nothingness".
    • While the universe destructs it also constructs.
    • Nothingness is alive with possibility, unlike emptiness in the west.
    • Suggests that the universe is in constant state of motion toward or away from potential.
  2. Spiritual values
    Truth comes from the observation of nature.
    • Everything eventually fades into oblivion and nonexistence.
    • When is something “complete”?
    "Greatness" exists in the inconspicuous and overlooked deatils.
    • Wabi-sabi is not found in nature in moments of bloom and lushness, but at moments of inception and subsiding. The minor and the hidden, things so subtle it’s invisible to the vulgar eye.
    • To experience wabi-sabi one needs to slow down, be patient and look closely.
    Beauty can be coaxed out of ugliness.
    • The beauty of wabi-sabi is, in one respect, the condition of coming to terms with what you consider ugly.
    • Beauty is a dynamic event that can happen at any moment given the certain circumstances, context and point of view.
  3. State of mind
    Acceptance of the inevitable.
    All around, no flowers in bloom
    Nor maple leaves in glare,
    A solitary fisherman's hut alone
    On the twilight shore
    Of this autumn eve.
    Fujiwara no Teika (1162-1241)
    Appreciation of the cosmic order.
  4. Moral precepts
    Get rid of all that is unnecessary.
    • Material poverty, spiritual richness" are wabi-sabi bywords.
    • Wabi-sabi is exactly about the delicate balance between the pleasure we get from things and the pleasure we get from freedom from things.
    Focus on the intristic and ignore material hierarchy.
    • In wabi-sabi, there is no "valuable,' since that would imply "not valuable." An object obtains the state of wabi-sabi only for the moment it is appreciated as such.
  5. Material qualities
    The suggestion of natural process.
    • Things wabi-sabi are expressions of time frozen. They record all the weathering and human treatment and on the edge of dematerialization still possess strength of character.
    Irregular.
    • Indifferent to conventional good taste.
    Intimate.
    • Things wabi-sabi are usually small and compact, quiet and inward-oriented. They beckon: get close, touch, relate. Small dim and womb-like places.
    Unpretentious.
    • Things wabi-sabi are appreciated only during direct contact and use; they are never locked away in a museum.
    Earthy.
    Murky.
    • Wabi-sabi comes in an infinite spectrum of grays and browns.
    Simple.
    • Nothingness is the ultimate simplicity.
    • The simplicity of wabi-sabi is probably best described as the state of grace arrived at by a sober, modest, heartfelt intelligence.
    • Keep things clean and unencumbered, but don't sterilize. (Things wabi-sabi are emotionally warm, never cold.)
Commentary

It was a good start to dive into the wabi-sabi philosophy, but not enough to actually feel the concept. Nevertheless, it offers an interesting perspective on creativity in the context of modernity, and I take it personally since, as an artist, I fell into the capitalist trap. Regarding the comparison between wabi-sabi and modernism— it seems to me that the wabi-sabi concept is quite feminine in its essence, whereas modernism is masculine. This leads me to endless contemplation on the philosophy of femininity and masculinity, but I'll try to be brief.
The Woman, as she is—she is everything: the potential, rich internally, the resource awaiting an impulse, while the Man is the impulse, the active force, and the beautiful interconnection between the two creates Everything. The wabi-sabi philosophy could not have formed without people experiencing the consequences of modern technological progress.
Anyway, balance between two opposing concepts (and I’m not referring only to wabi-sabi vs. modernism—any duality) is key.